In late November, I went to London for the premiere of Scenes from the Wild, a song cycle inspired by Dara McAnulty and his remarkable Diary of a Young Naturalist. Appropriately, perhaps, for the diary of an autistic teen who finds meaning in the raw power of nature, it was the day Storm Arwen made landfall. My journey home, late at night, was a comedy of cancelled trains and driving icy rain.
Later, in December, it was my privilege to chair an online event for Norfolk Wildlife Trust's Cley Calling Festival. Featuring Dr Alex Bond of the Natural History Museum, author and journalist Anita Sethi, Dr Stuart Butchart of BirdLife International and the Urban Birder, David Lindo, the panel discussed equality of access to natural spaces and to careers in nature conservation.
As the first lockdown began, in late March 2020, innumerable cracks in our society were exposed. Despite the worry and disruption, and so much loss, many of us in Norfolk had it fairly easy. The weather was absurdly warm for March and April; and - here's the rub - most of us had ready access to the natural world.
At dawn each day, I would slip from my bed and step with excitement into the lives of birds. Even before I left my house I could hear the urgent notes of great tits and of chiffchaffs clamouring to breed. On the duckpond by my door, the year's first bobbly ducklings twirled behind their mottled mothers. And just beyond the common - past the happy clatter of a chaffinch from the birches - I would slip into a corridor of blackthorns, not yet in leaf but all a-froth with flowers. Here a blackcap sang and I was safe.